Moradok Lanna🔍ไทย

🌐 อ่านภาษาไทย (original in Thai)

The ridges of Doi Pui layered in light mist, with green forest and banana plants in front, in Doi Suthep–Pui National Park, Chiang Mai

Photo: Vyacheslav Argenberg / Wikimedia Commons (CC BY 4.0)

Sao Chiang Mai: Kham Mueang from a Jaran Manopetch Song

Sao Chiang Mai ("The Chiang Mai Girl") is a Kham Mueang (Northern Thai) song by Jaran Manopetch that Soontaree Vechanont sang so often it became her signature song. The singer tells the story as a young woman who calls herself kha chao (ข้าเจั้า, Kham Mueang reading kha chao, "I", polite and feminine). This short song has words for addressing people, Northern town names, wedding words and rhymes that link every verse to the next, which makes it ideal for practising listening to the Lanna language.

This article is part of the series Kham Mueang through songs and literature. The song is still under copyright, so we quote only as much of the lyrics as we need to explain them, and invite you to listen to the full song on the official channel.

ข้าเจั้า
ข้าเจ้า kha chao
Say it: khâa-châo auto (à low · â falling · á high · ǎ rising · no mark = mid · double vowel = long)
I, me: a polite first-person pronoun used by women of every age, from girls to old women, and of every status, whether speaking to a monk, an elder, a superior or someone younger. A younger woman using it with an elder, a superior or someone her own age sounds especially charming and is seen as softly spoken and courteous. For example, when an elder asks a girl "where are you going?", she answers politely "kha chao pai hong hian chao – I'm going to school (ka)"; the chao added at the end makes the answer even softer, like the polite "ka"
Moradok Lanna dictionary entry (in Thai) →

Listen to the song first

According to the list of Jaran's works on Wikipedia, the song is on the album Folk Song Kham Mueang Luk Khao Nueng (1981), and it was later included on several other albums. Bon Borapet (Manager Online, 2012) wrote that the song "has become Soontaree's own timeless song to this day". Jaran and Soontaree sang many other duets together, such as Noi Chai Ya.

Sao Chiang Mai – Soontaree Vechanont and Jaran Manopetch
Sao Chiang Mai – Soontaree Vechanont and Jaran Manopetch

This is the official music video from the Nititad AOA Official channel, which publishes Jaran's and Soontaree's work. Listen once first, then read the explanations below.

The story of the song, in brief

The song opens with a line the whole city knows:

ข้าเจ้าเป็นสาวเชียงใหม่ — Sao Chiang Mai, words and music: Jaran Manopetch

("I am a Chiang Mai girl.")

The young woman tells us that she will soon be fully grown, and that tueng wan (ทึงฯวันฯ, read tueng wan, every day) bao (บ่าฯวฯ, read bao, unmarried young men) come to aeo (แอ่วฯ, read aeo, visit, go out) and to u (อู้, read u, talk, chat). These young men come from many towns, until she has to ask herself which of them, phai (ไผ, read phai, who), she should choose.

One young man says he will come to ask for her hand. She waits a whole year, until her parents have everything ready for the wedding, but the young man disappears without a word. At the end she declares that she will never believe anyone again, and that she will marry a hill-tribe man and go to live up in the mountains. This is our own summary; listen to the full lyrics in the video above.

Town names in Kham Mueang: where do the suitors come from?

The fun of this song is that it says where each suitor comes from, using the Kham Mueang names of the towns, so learners can practise the names of Lanna provinces at the same time.

In the song Kham Mueang Central Thai Note
สาวเชียงใหม่ Chiang Mai (ชยฯงไห่มฯ) Chiang Mai The title is written the central Thai way, but Khon Mueang (Northern Thai people) say jiang mai, so the dictionary calls this song "Sao Jiang Mai".
คนละปูน La-pun (หลฯะพูร) Lamphun The song writes ละปูน.
อ้ายบ่าวเจียงฮาย Chiang Hai (ชยฯงรายฯ) Chiang Rai One version writes เชียงฮาย.
คนแป้ Mueang Pae (เมิอฯงแระฯพ่) Phrae The dictionary says Kham Mueang pronounces Phrae as pae, so this is probably a young man from Phrae.

(RTGS writes ช and จ alike as ch; in Kham Mueang these names begin with the sound of จ, close to English "j".)

The other young men do not say where they are from, only their nicknames in the style of older Northerners: "Ai Kham, Ai Mun, Ai Som, Ai Mi". ai (อ้ายฯ, read ai) means elder brother, and is used for any man older than oneself.

💡 Did you know?
A name with a joke hidden in it. The young man from Chiang Rai in the song is chue (ชื่, read chue, named) "Kaeo Ma-lun". In the dictionary ma-lun (มาลูร, read ma-lun) means to come later, so the name can be heard as "Kaeo who came late". This is our own reading. As for the young man from Phrae, the song describes him as "khiao chun", which the dictionary spells khiao sun (ข้ยฯวซุร, read khiao sun), meaning buck-toothed.

A wedding word: pu sa-li

In the part where the young woman says she has been waiting for a year, there is a phrase, "po mae tha pu sa-li" (ป้อแม่ท่าปู๋สะลี), that younger people may not understand.

  • po (พํอฯ, read po) is father, so po mae is father and mother, parents.
  • The tha in the song corresponds to the word the dictionary spells tha ถ้า (ถ้า, read tha), meaning to wait. It is not the central Thai ถ้า, meaning "if".
  • pu sa-li (ปูสลี, read pu sa-li) comes from pu (to spread out) and sa-li (สลี, read sa-li, a kapok-stuffed mattress).
เจิอฯอสลี
เจี๋อสะลี chuea sa-li
to make up the bed: the elders preparing and laying out the bed for the bride and groom on their wedding day; also called pu sa-li. From the song Sao Jiang Mai: "...poen bok wa cha ma kho, kha chao ko ro ma laeo pen pi, po mae tha pu sa-li, ai bao tua di hai saep hai soi..." (He said he would come and ask for my hand; I have waited a whole year; my parents are waiting to make up the wedding bed; the faithless young man has vanished without a trace...)
Moradok Lanna dictionary entry (in Thai) →

The dictionary explains that chuea sa-li or pu sa-li is the elders preparing and laying out the bed for the couple on their wedding day, and it quotes this song as an example of the word in use. So "po mae tha pu sa-li" says that her parents are already waiting to hold the wedding, all in one phrase, without mentioning the wedding directly.

Tua di and hai saep hai soi

The next line, "ai bao tua di, hai saep hai soi" (อ้ายบ่าวตั๋วดี หายแซบหายสอย), is a complaint that is both funny and painful.

ต฿วฯดี
ตั๋วดี tua di
Say it: tǔa-dii auto (à low · â falling · á high · ǎ rising · no mark = mid · double vowel = long)
(of a person) bad, crooked to the bone, two-faced, untrustworthy
Moradok Lanna dictionary entry (in Thai) →

tua di (ต฿วฯดี, read tua di) sounds like praise ("a fine fellow"), but the dictionary defines it as a bad person, two-faced and untrustworthy. In this song it is sarcasm aimed at the young man who broke his promise.

hai saep hai soi (หายฯแสัปฯหายฯสอฯยฯ, read hai saep hai soi) means to vanish without a word, to disappear without a trace. The lyrics printed by the official channel write หายแซบหายสอย, while the dictionary writes หายแส็บหายสอย. It is a paired expression of the kind Kham Mueang loves, with "hai" (to vanish) repeated twice.

On its own, tua (ต฿วฯ, read tua) is a pronoun for "you" used with a close friend or a sweetheart, paired with poen (เพิ่นฯ, read poen), used for "I". In this song, poen appears in the phrase "poen bok wa cha ma kho" (he said he would come and ask for my hand), where it means "he, that person", another meaning of poen: someone at a distance from the speaker.

The ending: off to pai doi

In the last verse the young woman says "cha taeng kap maeo pai yu pai doi" (จะแต่งกับแม้วไปอยู่ป๋ายดอย, I'll marry a Maeo [Hmong] man and go to live on the mountaintop). pai doi (ปลฯายดอฯยฯ, read pai doi) means the top of a mountain, and the dictionary quotes this line of the song as an example of the word. doi (ดอฯย, read doi) is a high mountain. The next line says she will "sell her rings and sell her necklaces" up on Doi Pui, which is in Doi Suthep–Pui National Park, west of the city of Chiang Mai.

ℹ️ Info
Maeo and Hmong. The dictionary records maeo (แม้วฯ, read maeo) as the name of a hill people of the North, and notes that "nowadays the preferred name is Hmong". This song was written at a time when most people still used the old word, so when speaking about Hmong people in real life, use Hmong.

Sound changes from central Thai

The words of this song show how central Thai sounds become Kham Mueang sounds. Every pair in the table comes from the dictionary and applies only to this set of words.

Central Thai Kham Mueang What changes
เชียงใหม่ · ชื่อ เจียงใหม่ · จื้อ ช becomes จ (ch → j)
เชียงราย (Chiang Rai) เจียงฮาย (Chiang Hai) ช becomes จ, and ร (r) becomes ฮ (h)
พ่อ · แพร่ · ลำพูน (pho, Phrae, Lamphun) ป้อ · แป้ · หละปูน (po, pae, la-pun) พ (ph) becomes ป (p)
ปลาย (plai) ป๋าย (pai) no l cluster, and a rising tone
ปี · ตัว (pi, tua) ปี๋ · ตั๋ว (pi, tua) a rising tone
ทุกวัน (thuk wan) ตึงวัน (tueng wan) a different word: tueng means every

Some small words you will hear often in the song are not headwords in the dictionary: mae แหม (again, more), as in "mae bo tao dai" (before long), ko ก่ (then, also) and chuea เจื้อ (to believe), as in "bo chuea mae laeo" (I won't believe it any more). bo (บ, read bo) means not, and tao dai (เทัาฯฯได, read tao dai) means how much.

⚠️ Watch out
Saeo in Kham Mueang. The song says the young men come "ma u ma saeo", which most listeners take to mean they come to chat and tease. But the dictionary defines saeo (แซวฯ, read saeo) as nosy, meddling, and also as pointed, as in mit saeo, a pointed knife. The same word can mean different things in central Thai and in Kham Mueang.

Rhymes that chain from verse to verse

The song has four verses of four lines each. If you look only at the last words of the lines, you can see a pattern that repeats in every verse. This is our own count, from the lyrics on the official channel.

Verse Last word of line 1 → word in line 2 Last word of line 2 = last word of line 3 Passed on to the next verse
1 mai → dai laeo · aeo (and saeo in line 4) pun
2 phai → hai lun · chun mi
3 kho → ro pi · sa-li (and di in line 4) soi
4 laeo → maeo doi · phloi (and soi in line 4) pui

The last word of one verse sets the rhyme for the next. For example, pun at the end of the first verse rhymes with lun and chun in the second, and mi at the end of the second verse rhymes with pi, sa-li and di in the third. Chained rhymes like these are similar to those found in Lanna verse forms such as khao, and they help each verse flow smoothly into the next.

How the different versions of the lyrics differ

We compared the lyrics from three sources: (A) the description of the video "Sao Chiang Mai Ver. Folk Song Kham Mueang" on the Nititad AOA Official channel, (B) the description of the music video on the same channel, and (C) the two passages quoted in the Moradok Lanna dictionary. Most of the words match; the differences are in spelling.

  • เจียงฮาย (A) / เชียงฮาย (B)
  • จื้อแก้วมาลูน (A) / ชื่อแก้วมาลูน (B)
  • อ้ายก๋อง (A) / อ้ายป๋อง (B): the name of the young man from Phrae differs
  • ท่าปู๋สะลี (A, B) / ถ้าปู๋สะลี (C)
  • หายแซบหายสอย (A, B) / หายแส็บหายสอย (C)
  • แต่งกับแม้ว (A, B) / แต่งกั๋บแม้ว (C)
  • ข้าเจ้าก่รอ (A, B) / ข้าเจ้าก็รอ (C)

What the song means as a whole

A Chiang Mai girl is about to become a young woman, and young men from Lamphun, Chiang Rai and Phrae, and several from her own village, come to visit her every day. One of them promises to come and ask for her hand. She waits a year, until her parents have the wedding ready, but he vanishes without a word. So she decides never again to believe anyone's sweet talk, and declares, half in spite, that she will marry and go to live on Doi Pui, selling cloth and jewellery. The tone of the song is fun and playful, with a touch of hurt feelings underneath.

Summary

  • Sao Chiang Mai, by Jaran Manopetch and sung by Soontaree Vechanont, is told by a young woman who calls herself kha chao.
  • The song helps you practise town names in Kham Mueang: Chiang Mai (jiang mai), La-pun, Chiang Hai and Pae (Phrae).
  • pu sa-li is laying out the bed for the couple on their wedding day, tua di is an untrustworthy person, and hai saep hai soi is to vanish without a word.
  • Clear sound changes: ช becomes จ, ร becomes ฮ, and พ becomes ป.
  • The last word of each verse sets the rhyme of the next, chaining the whole song together.

Look up more wedding words and forms of address in the Moradok Lanna dictionary (in Thai), read about the courting language of young Lanna men and women at Kham U Bao U Sao, and another song by Jaran and Soontaree at the song Noi Chaiya.

More in the same series: Sao Motorcycle · Long Mae Ping · the song Noi Chaiya, or see the whole series at Kham Mueang through songs and literature (in Thai).

Sources

Look up "ข้าเจ้า" in the Moradok Lanna dictionary (in Thai)

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